![]() ![]() Rehearsing her vows, she lights up a cigarette and laments how she can’t wait to become part of her husband’s “fucked up family”. Here, we dissect the meaning behind the symbolic garment and the ways in which it becomes a key player in its own right.įrom the get-go, Grace is far from your perfectly poised image of a blushing bride. Quickly realising she is facing a fight for her survival, Grace’s dress becomes not only a weapon, but a tool, a first aid kit, and an emblem of the patriarchy and long-held class codes, which, over the course of the film, we see unravel before our eyes. ![]() Soon, it dawns on Grace that this is no ordinary game. As she disappears to find the perfect hiding place in the Le Domas’s enormous, candle-lit mansion, the family go about selecting their weapons of choice with shotguns, battle-axes, and crossbows among them. With Grace facing a bizarre initiation into the Le Domas family, her in-laws – hugely rich off the back of a boardgame empire – insist the newly-wed draws a card and plays a ‘traditional’ midnight game of hide-and-seek. Where your average bride might be poured into a pair of Spanx and encased in ivory satin, protagonist Grace ( Samara Weaving) sets a new precedent for what can be done with a wedding dress, and obliterates the long-established idea of the blushing, subservient bride in the process. When it came to creating the Alexander McQueen-inspired gown at the centre of new horror-comedy Ready or Not, though, costume designer Avery Plewes threw that convention out the window, with a garment she affectionately calls her “Swiss Army dress”. With its origins rooted in the subjugation of women, the dazzling white wedding dress is perhaps the best-known example of this idea, given its historical use as a symbol of a bride’s innocence and purity as she walks down the aisle. One of the very first things you might learn when studying film is that, on screen, red equals desire and danger, and white equals virgin. ![]()
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